In the age of manipulated content, what prerequisites should be applied to evidential imagery that the viewer may define the veracity of actuality?
The ‘Cycle of Observation’ is: confirmation of actuality through content and is presented in differing views as a polyptych.
The Synchronized Motion Polyptych – The dialectical discourse of converging views concerning a singular narrative of a moment in space and time.
The presentation of the ‘Synchronized Motion Polyptych’ is in the form of an 2×2 matrix whereby the placement of the various viewpoints are disassembled to create a fragmented whole to subvert future memory (expectation). Thus encouraging viewer engagement with the individual viewpoints, stimulating memory to combine the information in deciphering the narrative.